In every scene where Min-ja performed, I had to come on the set with an intensive level of energy. “The way Min-ja expressed her desires was explosive. “ never revealed her state of mind and that was where the mystery was coming from,” Im said. “So on set, I wanted to see them push themselves to the very extreme.”įor Im Soo-jeong, who plays Min-ja, an ambitious female lead in the film, her part in Cobweb was a challenge and a stark contrast to her prior role as a quiet, schizophrenic teenager in Kim’s earlier horror film A Tale of Two Sisters. “Audiences are often inspired by seeing the actors’ most dramatic emotions,” he said. In Cobweb, in particular, he said he wanted to capture the raw desires of artists and actors - and their reckless ambition to create a once-in-a-lifetime masterpiece. Like the film’s male protagonist, Kim said that he may have been a harsh director around his actors at times. The pressure to provide confidence to actors and always hide that fear sometimes feels very lonely.” “In deciding and giving the okay sign, I feel like I am risking everything. ![]() “I always feel like a gambler who is betting everything on one game when I shoot a film,” he said. Despite his depth of experience and reputation, Kim said he still finds the role of the director to be lonely and difficult. Since debuting in 2000 with The Foul King, a black comedy about a frustrated bank teller who turns into a professional wrestler, Kim has attracted a unique position in Korean cinema - as both an auteur and one of the highest-grossing directors in local box office history. “There’s always a new destination, which involves joy and pain.” I always partake in that journey with a mix of excitement and fear,” Song said. “It’s a very special journey to be in a film by Kim. “That probably means we won’t be seeing each other in the next five years,” he added, laughing. “We’ve done five films together in the last 25 years,” Song said. Over the years, Kim and Song have collaborated repeatedly -for Kim’s highly praised debut film The Foul King to the kimchi western The Good, The Bad and The Weird and period action thriller The Age of Shadows. It means it’s new and can’t be defined in ordinary terms,” he added. When someone says, ‘it’s strange,’ that sounds like a compliment to me. “To me, that is the absolute essence of creativity. “I act to become a weirder or stranger version of myself,” Song said. Song Kang-ho, who plays the film’s male lead, a delusional artist, said he agrees. “I think it’s a director’s role to capture those ambiguous moments and present them in a cinematic way,” he added. ![]() Across a directing career that has swerved between a plethora of genres, Kim has been relentlessly exploratory, with works such as Bittersweet Life and A Tale of Two Sisters introducing entirely new aesthetic sensibilities to Korean cinema. “There are certain things in life that move me even though I can’t express why in logical terms – something strange and weird,” he said. But Kim does not mind the ambiguous general reaction to the film. ![]() The film, which originally premiered at the Cannes Film Festival in May and was released locally last week, has generated mixed reviews from critics and filmgoers – everything from it being masterfully satirical to pretentious and pointlessly vague. ![]() Tokyo: Director Tetsuya Tomina on Mining the Enigmas of Japan's Sado Island in Metaphysical Romance 'Who Were We?' “ Cobweb got me thinking a lot about the moments when I first fell in love with cinema and dreamt of filmmaking - which changed everything for me.” “The pandemic got me thinking a lot about filmmaking,” Kim said at a special talk session held during the Busan International Film Festival on Saturday, where Cobweb‘s main actors, including Song Kang-ho ( Parasite) and Im Soo-jeong ( A Tale of Two Sisters) also participated. A satire about a film director who is convinced that a reshoot of his film’s ending could make it a masterpiece, the film delves into the beauty of cinema and the emotional journey of those who work behind the camera and in front of it. For veteran Korean director Kim Ji-woon, his latest feature Cobweb was an exploration into the aesthetics and meaning of cinema.
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